last dribbles of the unesco list, Wood,

Since my last blog I've read an issue of The New Yorker, an issue of The Economist, and an issue of The New Scientist. I've also read Wood's How Fiction works, Patterns of Fashion by Janet Arnold, Performance Art by Ruth Goldberg, Putin's Labyrinth by Steven Levine, Footprints in the Snow by Kenjiro Tokutomi, Loneliness by Patrick and Cacioppo, and Hidden in the Shadow of the Masters, by Ruth Butler.

How Fiction Works is a quick easy read, and I know I got some insight out of it, but I can't remember now what it was. Patterns of Fashion had a 16-page essay and many patterns and photographs of costumes from the fifteen- and sixteen-hundreds. Performance Art was interesting: it made me think that performance art was about truth, at its most shocking, rather than pure sensation. Footprints in the Snow is yet another autobiographical novel about the struggle against family obligation in Japan. Putin's Labyrinth is about the network of murders and torture in Putin's Russia. It rehashes Poliskaya and Litvenenko's murders, for example. Quick read, anyway. Loneliness is a book about the psychology of connection, and while written for the layperson it is too gross, too unsubtle in its argument. Butler's book about Mesdames Monet, Rodin, and Cezanne made me feel sorry for these lovely young women who dedicated their youth and beauty to men who betrayed them in the end.

UNESCO, some essays

I finished the biography of Florence Nightingale, and I found that her life was rather bland -- who knew she lived as an invalid for her last three decades? But it was well written and illuminating, if only to let me know the government made her a heroine to distract the population from its failures in managing the Crimean war. I also read a great novel, Walliulah's Tree without roots, about a Muslim medicine man. It was very revealing of the realities of poverty in the practice of Islam. I also read Clark's Dark Waters, an essay about the flood of Florence in 1996. For once, it was not an uplifting tale of heroism, but of the reality that much art was damaged by the flood, and damaged by well-meaning efforts to preserve it. I also read some basic texts for Korea: Virtuous Women is the collection of three well-known stories of queens, widows and secret wives in the Korean aristocracy of the Middle ages. I learned, among other things, that Chinese was the main language for centuries, as Latin was in the West. I also read Yashpal's historical novel, Amita, about a slave in the palaces of maharajah in India.

UNESCO: Tsubota, Zaman, Varma, Arishima

I read the CAA Magazine, the Lee Valley catalogue, The New Yorker, OK Magazine, Eclectic Reading, and several articles on scenario planning. I can't say I read the entirety of The New Yorker, since most of the articles were fan clubs for Barack Obama. That's certainly not the reason I read the magazine, and I hope this doesn't happen too often.

I have also read an essay on Fred Astaire, by Joe Epstein, Varma's A Pilgrimage to the Himalayas, Tsubota's Children in the Wind, The Prisoner by Fakhr Zaman, Vesaas's Bleaching Yard, Arishima's A Certain Woman, and I started Bostridge's biography of Florence Nightingale. Epstein was pretty light-weight, what with detailed discussions of Astaire's clothing, and not much in way of discussing dancing technique or biography. Varma was a wonderful book about the poor in India, so real to me I could scarcely bear to read some of the sadder stories. Vesaas' first book I didn't like, and I didn't much care for this one either. Arishima was more interesting, although I thought the treatment of the woman was sexist, in the way that Emma Bovary or Anna Karenina were also sexist. Tsubota's novel of children in Japan in the 30's is skillful: I like catching glimpses of the developing fascism. Zaman's searing novel I couldn't bear to read in parts, because it describes torture and execution in a Punjabi prison before World War II. Bostridge I can tell I will enjoy unreservedly.

My night stand's leftovers

Since my last post, I've been reading the stuff left over from other reading lists. So, it will come as no surprise that I've read an issue of Airpower in French and in English. I also read the delightful Nocturnes, by Daniel-Rops, and Suzanna Jacob's La passion selon Galatee. I thought well of the miniatures of reflexion in Daniel-Rops, but Jacob's book was ordinary in every way.

I read Kechichian's biography of King Faysal, but I was disappointed by the lack of insight into his character. I felt that there was a certain amount of recycling from some previous work on the foreign policy of Saudi Arabia. I also read Becker's Art Worlds. This is an essay outlining the sociology of people who make and distribute art. I found the chapter on mavericks really interesting, as well as the discussion the constraints posed by any distribution system. I also read Sebastian de Grazia's biographical essay, Machiavelli in Hell. I was disappointed with the lack of insight here too, since the bulk of the book is taken up by a discussion of Machiavelli's writings. I wanted to know how he transmuted life into writing. Delhommais' Cinq milliards en fumee is about a rogue trader in France losing five billion euros. I suppose it's an understatement to say the guy was under-supervised. After that I read two murder mysteries given me by my boyfriend: Slaughter's Fractured and Grippando's Intent to Kill. I read each in about two hours, and I thought Slaughter had more unusual characters, even if they were still stereotyped. I suppose I noticed that it was the handicapped (autistic/dyslexic) which were the murderers instead of, in the past, blacks, loose women, poor people. Have we progressed at all beyond this distrust of the other?

UNESCO list

I have read Ion by Liviu Rebreanu , Premchand's Gift of a Cow, and Thor's Quick Quick Said the Bird. Ion is a pastoral, about a greedy and loathsome peasant trying to climb out of poverty, and making a lot of people unhappy in the process. Gift of a Cow is also about the rural poor, this time set in India. The hero, Hora, tries to do good and sinks into poverty more and more. I wanted desperately to give him the two or three dollars that would have saved him. Hora dies at the end, with a lifetime of drudgery yielding enough money for a few months' worth of floor for his family. Thor's book is an experimental novel. Having only read Halldor Laxness among the Icelandic writers, I'm glad I read it. It certainlyis different, but I think it's a noble failure.

I also read an issue of OK Magazine and an issue of The New Scientist.

UNESCO

Since my last post, I have read an issue of Eclectic Reading, and five books: Graciliano Ramos' Childhood, Shaikat Siddiqi's God's Own Land, The Palace of Ice by Tarjei Vesaas, Trash by Jose de Almeida, and Wild Bapu of Garambi by Shripad Narayan Pendse.

Trash is an important novel for Brazil, since it marks the entry of the Brazilian vernacular into literature. Otherwise, it is pretty ordinary. I thought God's Own Land was a soap opera, complete with passion, murder, and wrongdoing, but evidently it was immensely popular in Pakistan, where it is set. Both Childhood and Palace of Ice purport to charm the reader with memoirs of the author's youth -- Childhood succeeds a little more, and it is interesting to read what it was like to be a child in those countries, but that's about all I can say about either of them. Wild Bapu of Garambi is a translation from the Maranthi, and it is remarkable for the amount of dialogue for a novel. I wasn't surprised to read that the author translated this for the stage at some point in his career.

So this leaves me about fifteen books away from reading the entire UNESCO list in English and French. I should be able to read five or six more this week-end, but I have to wait on interlibrary loan to complete this list. What will I do with my time now?

Potrc, Levine, Soseki, Lilla, Niwa, Light

There are few things I find as relaxing as reading book-length essays. Yesterday I relaxed by reading three. Allison Light's Mrs. Woolf and the Servants was a valiant failure, I would say: it discusses the lives of servants of Virginia Woolf, but of course not that much is known about them, despite their importance to understanding the writer. Levine's High Brow Low Brow is an interesting history of theatre and music in the US, and shows how culture became sacralized there. This is not a new argument, of course, as concerts have become much more formal affairs in Europe as well, as was Shakespeare -- there are British scripts extant which play havoc with the Bard. Lilla's Stillborn God is a very good title for a fairly unsurprising essay on the use of God as political justification for power. Ends in the XIXth century, also not surprising.

I also read yet another Soseki novel, the most autobiographical, about a disgruntled man unhappy with his family obligations. It's called Grass on the Wayside. This one treats adoption in Japan, which is a very different concept from adoption as it is understood here. I also read Niwa's Buddha Tree, a sordid tale about incest and adultery, and the purifying power of passion. What I liked about it was not the denouement, which would have provoked derision in a Western novel, but the description of the way of life in Buddhist temples and the priesthood. I also read Ivan Potrc Land and the Flesh, a novel with a great opening and closing, about a young man's looking for love and mistreating his women.